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The Opposite of Loneliness: Essays and Stories, by Marina Keegan
Download PDF The Opposite of Loneliness: Essays and Stories, by Marina Keegan
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An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world’s attention in 2012 and turned her into an icon for her generation.
An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world’s attention in 2012 and turned her into an icon for her generation.
Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.
As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.
Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assemblage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.
- Sales Rank: #79884 in Books
- Published on: 2014-04-08
- Released on: 2014-04-08
- Original language: English
- Number of items: 1
- Dimensions: 8.37" h x .90" w x 5.50" l, .85 pounds
- Binding: Hardcover
- 240 pages
Amazon.com Review
J. R. Moehringer About J. R. Moehringer
J. R. Moehringer, winner of the Pulitzer Prize for feature writing in 2000, is a former national correspondent for the Los Angeles Times. Author of the bestselling memoir, The Tender Bar, he is also the co-author of Open by Andre Agassi. His most recent publication is Sutton, published in 2012.
J. R. Moehringer on Marina Keegan
I never met Marina Keegan, but when I learned of her death I felt as if I'd known her well. We belonged to several of the same tribes. We were both Yalies. We were both from the Northeast. Both Irish, both writers. We walked some of the same paths, probably sat in the same chairs. So it was as if I’d lost a close cousin, or even a kid sister.
Then I read her work. In that terrible week, as media outlets posted her essays, as people around the world reposted them, I read every word with a sinking, quickening heart. The first news reports, I felt, had been wrong - this wasn’t simply a promising young writer, this was a prodigy, a rare rare talent, still raw, still evolving, but shockingly mature. From the few things she’d published in her brief life I could project a remarkable career, a line of words stretching far into the future, words that would have thrilled and enlightened, words that might have changed people’s lives. As I grieved for her family, her friends, her boyfriend, I also grieved for the global community of readers who would never know the pleasure and excitement of a brand new book by Marina Keegan.
Marina Keegan
All of which made me think there should be, there must be, at least one book with Marina’s name on the spine. Publishers aren’t eager to take chances these days, but I hoped that one would have the guts, the heart, to make a slim, posthumous collection of Marina’s stories and essays and poems. I could actually see the book in my mind, stacked on the front table of a sunlit bookstore, perhaps the Yale bookstore, where I’m sure Marina dreamed about her work appearing one day.
A year later, it came in the mail, the very book I’d seen in my mind, with the only possible title: The Opposite of Loneliness. I studied the striking cover photo and felt a wave of sorrow and joy. Then I sat down and read it and that sorrow-joy feeling became my constant companion over the next several days.
This is a book full of wonders. This is a book full of sentences that any writer, 21 or 101, would be proud to have authored. This is a book that will speak to young readers, because it expresses some of that inexpressible anxiety of starting out, of making life's first momentous choices, of wanting and fearing and needing and hoping and dreading everything at the same time. It will also speak to older readers, because it’s an inspiring reminder of youth’s brimming energy, its quivering sense of possibility.
Young people get a bad rap for thinking they’re immortal, and acting accordingly, but Marina dwelled on the end. Hers, civilization’s, the sun’s. “And time, that takes survey of all the world, must have a stop.” She must have heard her beloved adviser Harold Bloom expound many times on Hotspur’s line, and clearly she took it to heart, personalized it. Savor every half-second, she seemed to be saying, to herself, to her readers, and her meditations on death, once charmingly precocious, now feel breathtakingly premonitory. Describing a group of fifty whales beached near her house on Cape Cod, she laments that their songs don’t transmit on land, and thus they can’t communicate their final thoughts. “I imagined dying slowly next to my mother or a lover, helplessly unable to relay my parting message.”
Such was her fate. And yet it wasn't, not really. This book is her parting message, exquisitely relayed.
And it’s not a mournful message. There’s so much light and humor here. In the title essay alone I hear glimmers of Lorrie Moore, Ann Beattie, Fran Lebowitz. For example, when Marina worries that other kids are sprinting ahead of her, embarking on fabulous careers while she’s still clinging to the cocoon of Yale. “Some of us have focused ourselves. Some of us know exactly what we want and are on the path to get it; already going to med school, working at the perfect NGO, doing research. To you I say both congratulations and you suck.”
My favorite passage might be this gorgeous burst of nostalgia, this prose poem about the bright college years. “When the check is paid and you stay at the table. When it’s four a.m. and no one goes to bed. That night with the guitar. That night we can’t remember. That time we did, we went, we saw, we laughed, we felt. The hats.”
The hats. That tiny sentence was the first raindrop before the deluge, a tickling hint of all that was to come. How many 21-year-olds are capable of a line so sure-handed, so precisely and comically placed? The only other two-word sentence I can think of that had me laughing aloud and shaking my head was in Lolita. (Humbert summarizing his mother’s demise: “Picnic, lightning. ”)
If I’d met Marina, I’d have urged her to keep these first hopeful essays handy, cherish their energy, refer to them whenever beset by despair and doubt. Instead I’ll have to give that advice to her readers.
I also might have told Marina that we do have a word for the opposite of loneliness. It’s called reading. Again, I’ll have to tell her readers. This book reminds us: as long as there are books, we’re never completely alone. Open it anywhere and Marina’s voice leaps off the page, uncommonly honest, forever present. With this lovely book always at hand, we and Marina will never be completely apart.
Review
“In her brief life Marina Keegan managed to achieve a precocious literary mastery. Her wry, wise, lyrical voice is unforgettable, and her vital, exuberant spirit reminds us powerfully to seize the day. Though every sentence throbs with what might have been, this remarkable collection is ultimately joyful and inspiring, because it represents the wonder that she was.” (J.R. Moehringer, Pulitzer Prize winner and New York Times bestselling author of The Tender Bar)
"I will never cease mourning the loss of my beloved former student Marina Keegan. This book gives partial evidence of the extraordinary promise that departed with her. Throughout she manifests authentic dramatic invention and narrative skill. Beyond all those, she makes a vital appeal to everyone in her generation not to waste their gifts in mere professionalism but instead to invest their youthful pride and exuberance both in self-development and in the improvement of our tormented society.” (Harold Bloom, Sterling Professor of the Humanities and English, Yale University)
"Many of my students sound forty years old. They are articulate but derivative, their own voices muffled by their desire to skip over their current age and experience, which they fear trivial, and land on some version of polished adulthood without passing Go. Marina was twenty-one and sounded twenty-one: a brainy twenty-one, a twenty-one who knew her way around the English language, a twenty-one who understood that there were few better subjects than being young and uncertain and starry-eyed and frustrated and hopeful. When she read her work aloud around our seminar table, it would make us snort with laughter, and then it would turn on a dime and break our hearts." (Anne Fadiman, Yale University Professor of English and Francis Writer in Residence and author of The Spirit Catches You and You Fall Down and Ex Libris)
"Illuminates the optimism and neurosis felt by new grads everywhere. . .Like every millenial who's seen irony elevated to an art form, Keegan brings self-awareness to the collective insecurity of her peers even as she captures it with a precision that only comes from someone who feels it too. How unfortunate that she will never know the value readers will find in her work." (Publishers Weekly)
"Funny, poignant, tender, and fiercely alive, 'The Opposite of Loneliness' contains the keen observations of a short lifetime—and the wisdom of a much longer one." (Jennifer DuBois, author of Cartwheel and A Partial History of Lost Causes)
“The writing Marina Keegan left behind offers a tantalizing taste of a literary voice still in development, yet already imbued with unusual insight, nuance, humor, and sensitivity.” (Deborah Treisman, Fiction Editor, "The New Yorker")
“Two years after a young writer’s death, her words soar. . . . The Opposite of Loneliness...sparkles with talent, humanity, and youth. The prose, polished but thoroughly unselfconscious, is heartbreaking evidence of what could have been.” (O Magazine)
"A bittersweet, what-might-have-been book filled with youthful optimism, energy, honesty, and beyond-her-years wisdom." (Yale Alumni Magazine)
"The Opposite of Loneliness captures in both fiction and nonfiction [Keegan's] adventures in love and lust, the weird bliss of being stoned, and, as she writes, what it’s like to see 'everything in the world build up and then everything in the world fall down again.'" (Elle)
"Remarkable... a compelling literary voice... the appeal of this collection is its improvisational quality, its feeling of being unfinished but always questioning." (Chicago Tribune)
"How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, [Keegan] could take a clever idea...and make it something beautiful." (People Magazine)
"A triumph...Keegan was right to prod us all to reflect on what we seek from life." (Nicholas Kristof, "The New York Times")
"The Opposite of Loneliness does [Keegan's] talent and memory justice, both as a picture of a generation entering adulthood and as a highly personal portrait of a gifted young woman." (Pittsburgh-Post Gazette)
“What a gift Keegan has left behind. Not only in her written words...but also in her legacy of social activism and fierce belief in leading a life of purpose, not privilege. (Joseph P. Kahn, Boston Globe)
“Keegan’s fiction… is built around the kind of empathetic extrapolation that makes for all the best realism… Keegan would have been—would have continued to be—a star. She would have been famous, not quietly or vaguely, but really, really famous.” (The New Republic)
“[Keegan ] was one of the most present, incisive, and hopeful writers.… That’s the gift and the pain of her book. How incredible, how lucky, that we get to read her words, that people who never knew her or her work can find it for themselves, that she was in some way given the chance to speak to the world the way she wanted.” (Buzzfeed)
“A glimpse of a young woman who is growing as a writer and a person, someone who’s thinking deeply about love and the world around her and the scale of the universe….I have no doubt she would have been great.” (Bustle)
“In the little time [Keegan] graced the world she created a life’s work many writers could only dream of achieving in decades.” (MariaShriver.com)
“This posthumous collection of essays and short stories is beautiful and brilliant, young but not childish—just like the author was. Every essay is a gem you want to pick up and put in your pocket, taking it out from time to time to see how it looks in different lights—the lights of promise and potential, yearning and memory. The Opposite of Loneliness will make people cry and hope.” (Rewire Me)
“The loveliest piece of writing I’ve ever seen from someone so young… Her voice is steady and often very funny, her senses of character and pace are frighteningly good, and the flow of her prose is easy to get carried away by. She wasn't just college-talented; she was talented, period.” (Kevin Roose, New York Magazine)
“A new voice of her generation.” (The Hartford Courant)
"Wonderful... Marina Keegan did that thing we all want to do as writers: say what everyone else is thinking, but better." (Refinery29)
""Inspirational." (The Huffington Post)
"Full of uncanny wisdom...Marina would not want to be remembered because she was dead. She would want to be remembered because she’s good. No worries there, Marina. You left us aching for more." (Detroit News)
Ms. Keegan takes on the meaningful and mundane with wit and grace. Her words alternatively swagger and tiptoe.... Reading this book is both heartbreaking and entertaining." (The Economist)
"In her short life, Keegan exhibited uncanny wisdom for an individual of any age, and a literary talent perhaps even more rare." (The Huffington Post)
"Keegan's short stories are relatable and entertaining while her essays, including some of her op-eds from the Yale Daily News, showcase her work as an already accomplished writer. Young writers everywhere will look to her as an inspiration." (The Huffington Post)
"The ultimate summer read for Gen-Y, by Gen-Y." (Elite Daily)
About the Author
Marina Keegan (1989-2012) was an award-winning author, journalist, playwright, poet, actress, and activist. Her nonfiction has been published in The New York Times; her fiction has been published on NewYorker.com, and read on NPR’s Selected Shorts; her musical, Independents, was a New York Times Critics’ Pick. Marina’s final essay for The Yale Daily News, “The Opposite of Loneliness,” became an instant global sensation, viewed by more than 1.4 million people from 98 countries. For more information, please visit TheOppositeofLoneliness.com.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A Great Collection of Stories by a Fantastic Writer Who Left Us Way Too Soon
By Elbeau
Amazing! I am an avid reader. As a frame of reference, I like Haruki Murakami, Mikhail Bulgakov, Mitch Albom, Lorrie Moore, and the like. I also like books like Christopher Moore's when I need laughs. But Marina Keegan is in a class by herself. Put aside her tragic and untimely death, which, admittedly, is very hard to do, it is almost impossible to believe these stories were written by someone in her very early 20's. To me, a great book is one that not merely keeps you involved while reading it, but adds something to you that doesn't go away. This is such a book. All but one of the stories in this book has made a lasting impact. It is truly sad that Ms. Keegan is not around to write more. I hold out hope that her family will see fit to publish more of her writing.
2 of 2 people found the following review helpful.
It's terrible that her life was cut so short - the ...
By Alicia Cook
She was talented. At just 22, she had a strong sense of self in her writing. even when I was reading her fiction, I thought I was reading about her life. It's terrible that her life was cut so short - the book is ominous at times, almost as though she knew she would not live long. She spoke of death and what she hopes for her life, and what she hopes carries on after she passes. I am sure he mother is grateful for the one piece dedicated to her dedication as a mother. I read it in 2 days - I recommend.
2 of 2 people found the following review helpful.
A collection that will be your favorite read and one you'll share a life-time!
By HornFan2
It's tragically sad, that she was called home at 22. I'm not going to use words like connections, entitlement, privileged or call her work immature or label her the best student in an undergrad writing class in my review.
Rather I'm going to look at this using three criteria that Rita Crowley a fiery 50 year English Lit teacher/Professor, used in a writing class I took back in my college days.
Passion, be a wordsmith, and no piece is ever really complete, where the three things that she pounded into my head, that semester. All of which Marina had from reading, her life work collection.
She wasn't college-talented, but rather talented period, she had the knack to grab the reader, hold their attention and make you want to read more.
I was one of the millions who were inspired by her 'Opposite of Loneliness' essay, even joined Yale Daily News website, just to read the pieces they featured on the site of her work. Even have tucked away somewhere printed copies of them.
I read many articles, just to see if they posted links to essays/short stories I hadn't read. I've read most of this book already as individual pieces, but still enjoyed re-reading her work and several also are different versions.
I like the entire collection, it's because of Marina that I started to read short stories, previously I never bother with them, and she opened my eyes to realize just what I was missing out on by not reading them.
I'd like to think she's old school, she's not like most in her generation and worked extremely hard for everything she earned. Took full advantage of everything surrounding her in her short life, was a sponge and if she didn't know something, she wanted to know the answer.
She opened the doors, no one threw them open for her. She made herself get noticed, to stand out in crowd and confidently make the New Yorker know she was the best choice, to do a prestigious internship. Let herself be nurtured, was her own worst critic, and made her professors pass on or share her essays/short stories.
I know from my paying job, each year we have four interns that changes yearly. I've worked their 18 years, it's scary to me how many of these privileged people never took advantage of that fact, but I've worked with one whose parents were billionaires, you would never have known that if she didn't tell you, another while going through 8 years of college became a millionaire by dabbling with stocks, another flipped houses to pay for her college years and had the pleasure to work with several dozens, who while deep in debt earned everything they had through their own hard work.
Being a lifelong reader I feel cheated, that we never got to see this talented writer grow, see her develop into a best selling author, to have the chance to pre-order them on amazon, to either have a bookshelf full of her books or a collection of her work on my Kindle.
Surely she would have been loved by her readers, like Robert B. Parker, Robert Ludlum or Terry C. Johnston are.
Her legacy will be her writing, those who she's posthumously inspired will never let the light she lite ever burn out and will share this collection of her writing, to inspire future generations.
Lastly a huge thank you, to her parents, her friends, her professors, the Yale Daily news and everyone else who made this collection available for use.
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